Tracing Roots: Exploring Nigerian Heritage Through Ondo’s Treasures
In September 2024, I embarked on an incredible journey to Ondo town, Nigeria, to lead the “Tracing Roots” project—a personal and professional exploration of the rich cultural heritage of my homeland. This project was a blend of research, artistry, and collaboration, aimed at uncovering and celebrating Ondo’s treasures while forging deeper connections with its traditions and people.
Day One: Arrival and Awosika Museum
Upon arriving in Ondo town on September 16, 2024, my team and I settled into Robertware Hotel. I had the opportunity to meet with local contacts who warmly introduced me to the customs and traditions of the community, setting the tone for the journey ahead.
Our first visit was to the Awosika Museum, a private collection dedicated to preserving the legacy of the Awosika family and the broader history of Ondo Kingdom. The museum offered a wealth of insights:
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- The Awosika family tree and their remarkable contributions to education, governance, and culture.
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- Artifacts like pre-independence currency, ancient musical instruments, and carbon-dated architectural materials.
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- Exhibits on the Osemawe royal lineage, traditional festivals, and the role of women in Ondo’s history.
Moferere Market: A Cultural Hub
Later that day, I explored Moferere Market, Ondo’s largest and oldest market. The market has deep cultural significance, particularly in royal traditions, as it plays a pivotal role in announcing the passing of a king. This visit offered me an immersive experience of the community’s way of life and its vibrant marketplace culture.
Day Two: Goldsmith Workshop
The following day, I visited Uncle Dee’s goldsmith workshop, where I was captivated by the artistry and dedication of a craftsman with over 30 years of experience. Uncle Dee shared:
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- The intricate process of creating gold jewelry and ornaments.
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- The challenges traditional goldsmiths face, from outdated tools to a declining interest in the craft among younger generations.
I witnessed a live demonstration of goldsmithing techniques and gained a profound appreciation for the precision and skill involved in this timeless craft.
Tola Wewe Art Studio
I also had the privilege of visiting the studio of Tola Wewe, a renowned artist and former Commissioner of Culture and Tourism in Ondo State. Touring his studio and discussing his works was an inspiring exchange, connecting us as artists committed to preserving and celebrating Yoruba culture.
Day Three: Blacksmithing Traditions
My exploration continued with a visit to the Ogbonkowo blacksmith workshop, led by Chief Awogbemi Olaseha, an expert in traditional blacksmithing. He shared the history of blacksmithing in Ondo, tracing its origins to specific families and their sacred practices.
I had the unique chance to participate in the blacksmithing process, crafting tools such as a knife and a circumcision blade under the guidance of skilled artisans. This hands-on experience deepened my understanding of the skill, effort, and cultural significance behind these creations.
Reflection and Vision
“Tracing Roots” was more than a research project—it was a deeply personal journey that allowed me to connect with the people, history, and artistry of Ondo. Each interaction, from museums to markets, goldsmiths to blacksmiths, enriched my perspective and reaffirmed the importance of preserving these traditions.
As I move forward, I am excited about potential collaborations, including a partnership between the Pitt Rivers Museum in the UK and the Awosika Museum in Ondo, inspired by the artifacts and stories I encountered.
This project is just the beginning, and I’m eager to continue exploring, documenting, and celebrating the heritage of Ondo and Nigeria as a whole.
